Container Corps is a publication design studio, printshop, bindery, and exhibition space that serves as a platform for the creation, distribution, and discussion of new arts publications. We publish books-as-projects, or books-as-works in themselves, or primary sources.
The books we publish are collaborations between artists and their ideas and our skills as editors, publication designers, and printmakers. They are works of art in themselves, rather than documentation of works in other media.
Our vertically integrated, design/build studio allows ideas (concepts, images, texts, research), materials (paper, ink, board, cloth, thread, glue), and technique (layout, typography, printmaking, binding) to coalesce into a fully realized type of publication.
Our press works with artists to make multiples that explore and take advantage of the book and the processes of book production. Our Precipice grant will fund three such collaborations.
Most of the progress in our project thus far has been made in the cementing of a schedule of artist collaborations for the year. There has been a little bit of shuffling of artists from our original line-up due to changing schedules and availability.
Our book projects are a specific kind of collaboration between our production capabilities and the artists’ individual practice, and these collaborations necessarily require a long gestation period. The artist must become somewhat of an expert on our processes, and we must become experts on their work. Only then do we have the language to be able to communicate and find where their ideas can engage with our parameters. Practically, this means a lot of talking, ideating, thinking, and looking before anything happens on the press. This is the kind of work we’ve been doing with our three artists thus far.
Our first artist, Heather Watkins, has finished an intense period of installations (at PSU and the Art Gym) and is now free to work with us. Our process thus far has been an ongoing series of visits between our studio and hers. We are discussing the intersections of our production processes and her art making processes, and zeroing in on a definition of what her book project will be.
Our second artist will be Israel Lund. We are excited to work with Israel because like Heather, his work is process oriented and will benefit from hands-on time with the press. We have arranged for him to be in Portland at the beginning of July, working with us at the studio. We have been skyping with him in preparation for an intense week of production. Most of the development of this book will occur during this week.
Our third artist will be Jasper Spicero. He will be visiting Portland in late July, and we will be working with him on a book made in conjunction with a very exciting larger project called Centers in Pain. He will be renting out the newly built, unoccupied Wapato Prison in North Portland for 4 days, doing an extensive installation, conducting interviews with the skeleton crew that maintains the facility, and completing a screen play that is set at the prison. The book we create will be an integral document of this larger project. Like Israel, we have been regularly skyping with Jasper so that his time in Portland is best utilized.
About the Precipice Fund
Administered by the Portland Institute for Contemporary Art (PICA) as part of the Andy Warhol Foundation for the Visual Arts’ Regional Regranting Program, the Precipice Fund awards grants to unincorporated visual art collectives, alternative spaces, and collaborative projects in Portland, Oregon. Recognizing the barriers to funding faced by independent arts initiatives, Precipice Fund seeks to support both new and existing projects emblematic of Portland’s alternative, on-the-ground art community.