Samiya Bashir’s books of poetry: Field Theories, Gospel, and Where the Apple Falls, and anthologies, including Role Call: A Generational Anthology of Social & Political Black Literature & Art, exist. Sometimes she makes poems of dirt. Sometimes zeros and ones. Sometimes variously rendered text. Sometimes light. She lives in Portland, Ore, with a magic cat who shares her obsession with trees and blackbirds and occasionally crashes her classes and poetry salons at Reed College.

Samiya Bashir is the author of Field Theories (2017), as well as Gospel (2009), and Where the Apple Falls (2005), which were both Lambda Literary Award finalists. She is also the author of the chapbooks Wearing Shorts on the First Day of Spring (1999), American Visa (2001), and Teasing Crow (2006). She is also the editor of Black Women’s Erotica 2 (2003) and co-editor of Role Call: A Generational Anthology of Social & Political Black Literature & Art (2002), with Tony Medina and Quraysh Ali Lansana. Her work has been most recently featured in Poetry, Drunken Boat, World Literature Today, Portland Monthly, Tuesday, An Art Project, The Offing, Ecotone, HOAX, Poet Lore, Callaloo, and The Encyclopedia Project. Samiya also collaborates with a variety of visual and media artists on projects such as M A P S :: a cartography in progress, with Roland Dahwen Wu, Field Theories in Light, Sound, & Movement, with Roland Dahwen Wu and Keyon Gaskin, Coronagraphy with Tracy Schlapp, and Silt, Soot, and Smut, with Alison Saar, currently on exhibition at L.A. Louver. Bashir is a founding organizer of Fire & Ink, an advocacy organization and writer’s festival for LGBT writers of African descent. Bashir lives in Portland, Oregon, where she teaches creative writing at Reed College. “Breath,” Bashir says, “is everything.” Bashir’s work helps to remind us not only to breathe, but how, and why, and together.