AN INFECTED SUNSET is an ekphrastic long-form prose poem first conceived in August, 2016, in the wake of the Orlando nightclub shooting, police killings of unarmed Black men, and in the midst of the Standing Rock #NODAPL Resistance. During the writing of the poem, the settler colonial nation-state elected the 45th president of this colonized country, which revealed a sudden revival of extreme white supremacist nationalism. As the social landscape evolved, the Liberated Poem emerged as an offering to Indigenous communities and landscapes that strive for a decolonial and sovereign future, emancipated from white supremacist capitalist heteropatriarchal settler colonial trauma drama. This performance poem is a reflection on queer sex, survival and death politics, indigenous identity, settler and heteronormative romanticism, environmental injustice, and the importance of honoring community.

Demian DinéYazhi’ (born 1983) is a Portland-based Diné transdisciplinary artist born to the clans Naasht’ézhí Tábąąhá (Zuni Clan Water’s Edge) & Tódích’íí’nii (Bitter Water). Whether he is broaching topics adjacent to Decolonization, Survivance, & Queerness in written or visual language, Demian is caught in a narrative that is informed by romanticized notions of belonging & the alienation experienced through centuries of forced assimilation to White Supremacist Capitalist Heteropatriarchal Colonization. His practice is rooted in Radical Indigenous Queer Feminist ideology, landscape representation, memory formation, HIV/AIDS-related art & activism, poetry, and curatorial inquiry. He received his BFA in Intermedia Arts from Pacific Northwest College of Art in 2014. Demian is the founder & director of the artist/activist initiative, R.I.S.E.: Radical Indigenous Survivance & Empowerment, which is dedicated to education, perseverance, & evolution of Indigenous art & culture, as well as co-director for the forthcoming zine, Locusts: A Post-Queer Nation Zine. DinéYazhi’ was an artist-in-residence at Institute of American Indian Arts (2016), and is a recipient of Crow’s Shadow 2017 Golden Spot Residency. He has received grants from Evergreen State College (2014, 2016), PICA—Portland Institute of Contemporary Art (2014, 2016), Art Matters Foundation (2015), and Potlatch Fund (2016).

Holland Andrews is an extended technique vocalist, composer, and performer based in Portland, OR who combines delicate vocal layerings to create dissonant and cinematic soundscapes. Andrews is a musician whose influences include contemporary opera, musical theater, as well as experimental genres such as ambient and noise music. Andrews performs under the stage name, Like a Villain.