US WEST COAST PREMIERE ALBUM is a solo performance that unites text, song, and dance inside of the content of an album—a picture album, a song album, an autobiographical album, a herstorical album—and the work finds ways to be an archive, or altar, for Valencia’s body. Through factual, humorous, and grave observations, a frame of self-identification is established and charged with the task to preserve and perform a self herstory as an album in image and song. Valencia’s relationship to urbanity, vampires, love, and marginality arise with equal importance as she orbits the primary curiosity: Who will write herstory? ALBUM starts this process—so the author of Valencia’s herstory can have good notes.

Mariana Valencia, (creator/performer) has held residencies at Chez Bushwick (2013), New York Live Arts Studio Series (2013-14), ISSUE Project Room (2015) and Brooklyn Arts Exchange (2016-18). Nationally, she has held residencies at Show Box LA and Pieter Pasd (2014) in Los Angeles; and was part of PICA’s 2018 Creative Exchange Lab. Valencia is a Foundation for Contemporary Arts Award to Artists grant recipient (2018), a Jerome Travel and Study Grant fellow (2014-15), a Yellow House Fund of the Tides Foundation grant recipient (2010-13) and a Movement Research GPS/Global Practice Sharing artist (2016/17). Her ethnographic research has taken her to Belize, Mexico and the Balkans and she has performed in works by Jules Gimbrone, Elizabeth Orr, Kate Brandt, AK Burns, Em Rooney, robbinschilds, Kim Brandt, Fia Backstrom and MPA. Valencia is a founding member of the No Total reading group and she has been the co-editor of Movement Research’s Critical Correspondence (2016-17). She holds a BA from Hampshire College in Amherst, MA (2006).

Run time: 55 min.

ALBUM was made possible through the Artist in Residence Program at BAX/Brooklyn Arts Exchange with support from the National Endowment for the Arts, New York State Council on the Arts, NYC Department of Cultural Affairs, Andrew W. Mellon Foundation, The Jerome Robbins Foundation and the Jerome Foundation. Additional support was made possible through the GPS/Global Practice Sharing program of Movement Research with funding from the Trust for Mutual Understanding.

Accessibility

Note: the September 14 performance will be ASL interpreted.