Retribution is Tanya Tagaq’s portrait of a violent world in crisis, hovering on the brink of destruction. It’s a complex, exhilarating, howling protest that links lack of respect for women’s rights to lack of respect for the planet, to lack of respect for Indigenous rights. It’s about celebrating the great strength of women, it’s about rejecting the toxic, militaristic masculinity that’s taken over the world since the rise of Western industrial capitalism, and is rapidly destroying human life support systems through climate change and pollution.

Tanya Tagaq’s music is like nothing you’ve heard before. The Arctic-born artist is an improvisational performer, avant-garde composer and experimental recording artist who won the 2014 Polaris Music Prize for an album called Animism, a work that disrupted the music world in Canada and beyond with its powerfully original vision. Her critically acclaimed follow-up, Retribution, is an even more musically aggressive, more aggressively political, more challenging, more spine tingling, more powerful masterpiece.

Recently appointed as a Member of the Order of Canada, Tanya Tagaq challenges static ideas of genre and culture, and contend with themes of environmentalism, human rights and post-colonial issues. Her music and performance are a complex, exhilarating, howling protest that links lack of respect for women’s rights to lack of respect for the planet, to lack of respect for Indigenous rights.

Recent projects have pulled her in vastly different directions, from improvised live collaborations with Fucked Up, to premiering a composition made for Kronos Quartet’s Fifty for the Future collection.

Tanya Tagaq’s Retribution is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters. Made possible with the support of the Ontario Media Development Corporation.